8 Bay Area arts and entertainment events to check out this week, November 1-7

David Sedaris Photo: Ingrid Christie

The guide to chronicling notable arts and entertainment events in the Bay Area.

David Sedaris to read new stories at War Memorial Opera House

Humorist David Sedaris combines a meticulous eye with a style that is quite the opposite. In the chronicles of his great Greco-American family, the odd jobs he had in his youth and his expatriate life in France; it focuses on weird and piquant details that might escape other observers. But then he conveys them to readers in prose as simple as a lovingly worn wooden handle. “Go right in,” his stories say, and you’re transported before you know it.

He excels at extracting the universal from the particular and the comic from the tragic. Even if you don’t have a brash dad, friendly mom, playful sister Amy, or brash sister Tiffany; even if you don’t share Sedaris’ finely crafted kinky impulses, you’ll likely see something of yourself in the way he describes his North Carolina tribe – perhaps the way we so often express the love of God. ‘in a way that is nothing like him.

Now he appears at the War Memorial Opera House for one night only, after the release of “The Best of Me” and “A Carnival of Snackery”.

An evening with David Sedaris: 7:30 p.m., Monday, November 1. $ 83 to $ 93. War Memorial Opera House, 301 Van Ness Ave., SF 888-746-1799. https://broadwaysf.com/

– Lily Janiak

Baruch Porras-Hernandez Photo: Robbie Sweeny

Multi-line artist Baruch Porras-Hernandez presents “¿Donde Esta Mi Gente? »At the new KQED space

One way to understand the greatness of Baruch Porras-Hernandez is to list some of the media he works in: poetry, stand-up comedy, theater. Another is to mention some of the ways he paid homage to donuts: in the “Lovers of the Deep Fried Circle” chapbook; in his daring, frank and inventive solo show “Love in the time of piñatas”, in which he presented each member of the audience with a personalized donut flavor, the “Baruchador”, made by Dynamo Donut + Coffee.

Now Porras-Hernandez brings “¿Donde Esta Mi Gente?” – the series of Latino literary performances he premiered in 2014 – at KQED’s new Mission District headquarters, which had a smooth opening in September. The space includes an event location called the cities, which can accommodate 238.

This iteration of “¿Donde Esta Mi Gente? Presents multidisciplinary artist Dorian Wood, poet and musician Roberto F. Santiago, musician Dizzy Jenkins and writer Amanda Muñiz.

“¿Donde Esta Mi Gente? »: 7:00 p.m. on Wednesday November 3. Free live streaming; $ 10 in person. KQED Headquarters, 2601 Mariposa St., SF www.kqed.org

– Lily Janiak

Kim Novak in a scene from “Vertigo”. Photo: Associated press

The Roxie Theater provides a perfect opportunity to see – or revisit – ‘Vertigo’

In terms of critical rating, “Vertigo” is probably at its peak right now. Alfred Hitchcock’s 1958 film recently overtook “Citizen Kane,” in a critics’ poll conducted by “Sight and Sound” magazine, as the greatest film ever made.

It is the story of a man who, following post-traumatic stress, suffers from generalized panic attacks linked to his fear of heights. In San Francisco – the city is beautifully represented here – he falls in love with his ideal wife (Kim Novak), not realizing that he has entered a web of intrigue.

The film, which is screened in 35 millimeters at the Roxie Theater on Thursday, November 4, features one of James Stewart’s best performances. He plays a possessed, rather scary and obnoxious man. It’s definitely a movie everyone should see, and a 35-millimeter print is just about ideal circumstances.

“Vertigo”: 6:45 p.m. Thursday, November 4. $ 8 to $ 13. Roxie Theater, 3117 16th St. SF 415-863-1087. www.roxie.com

– Mick LaSalle

Gene Hackman stars in Francis Ford Coppola’s “The Conversation” (1974). Photo: Rialto Pictures

BAMPFA Brings Back Coppola’s “The Conversation”, A 1974 Classic

Francis Ford Coppola’s “The Conversation” (1974) stars Gene Hackman as a withdrawn but passionate sound man hired to spy on a woman suspected of cheating on her husband. During his investigation, he begins to speculate that he might be involved in something sinister.

The film was in part a response to Michelangelo Antonioni’s “Blow Up” (1966), in which a cheerful fashion photographer realizes that his photos, unbeknownst to him, recorded evidence of a murder. The atmosphere of the two films couldn’t be more different, and yet both are classics. The UC Berkeley Art Museum and the Pacific Film Archive are screening the film on Saturday, November 6, and Walter Murch is expected to be interviewed after the screening.

Murch was the sound designer for the film, which is still an important job; but here the sound may be the most important element. In addition to its other virtues, “The Conversation” was filmed in San Francisco and is an interesting testament to the city as it was almost 50 years ago.

“The Conversation”: 7 p.m. on Saturday, November 6. $ 10 to $ 14. Berkeley Art Museum and Pacific Film Archive, 2155 Center St. Berkeley. 510-642-0808. https://bampfa.org/

– Mick LaSalle

Dancer Shuaib Elhassan from Alonzo King Lines Ballet Photo: RJ Muna

Alonzo King Lines Ballet makes a welcome return to the stage

One by one, and with a growing sense of exultation and relief, performing arts organizations in the Bay Area are finding their way back to the stage after the pandemic shutdown. Few have been more anticipated than the Alonzo King Lines Ballet, whose kinetic and infinitely inventive creations have been the cornerstone of the local dance world for decades.

Under the heading “Coming Back Home”, the company will take over “Azoth”, King’s fervent, elliptical work which had its acclaimed world premiere in 2019. Two giants of the jazz world, composer-pianist Jason Moran and saxophonist Charles Lloyd be there to contribute to a meditative and exploratory musical accompaniment.

The program is complemented by excerpts from four of King’s central dance creations over the past 20 years: “Grace”, “Writing Ground”, “The Radius of Convergence” and “Rasa”.

Alonzo King Lines Ballet: 7:30 p.m., Saturday, November 6, 5 p.m. Sunday, November 7. $ 50 to $ 100. Yerba Buena Arts Center, 700 Howard St., SF 415-392-4400. www.linesballet.org

– Joshua Kosman

The Ballet Hispánico will perform “Tiburones” by Annabelle Lopez Ochoa on Saturday 6 November at the Zellerbach Hall. Photo: Paula Lobo

Ballet Hispánico brings eclecticism and energy, with a Spanish accent, to Cal Performances

Examine the 50-year history of the New York Hispánico Ballet and you will see two constants: Latin American heritage and great energy. The company, which was born out of free dance lessons offered by founder Tina Ramirez in 1970, has always boasted of an eclectic repertoire drawing inspiration from many forms, traditions and styles of Spanish-speaking countries, leaning more towards dance. modern than classical ballet in its basic technique. .

Internationally acclaimed and directed since 2009 by artistic director Eduardo Vilaro, the 17-member strong troupe will debut at Cal Performances with a program called “Noche de Oro” spanning decades, from the classic “Arabesque” by Vicente Nebrada in 1984 to mambo by Gustavo Ramírez Sansano – inspired by the “18 + 1” of 2012.

Annabelle Lopez Ochoa’s contemporary critique of media stereotypes and Puerto Rican culture, “Tiburones”, updates the offerings.

Hispanic ballet: 8 p.m., Saturday, November 6. $ 32 to $ 82. Zellerbach Hall at UC Berkeley, Bancroft Way in Dana Street, Berkeley. 510-642-9988. https://calperformances.org/

– Rachel Howard

Conductor Alasdair Neale Photo: Courtesy of Marin Symphony

Alasdair Neale opens new orchestral season in Marin with Orli Shaham

The recent announcement of the resignation of conductor Alasdair Neale after more than two decades as Music Director of the Marin Symphony marked a turning point in the musical life of the Bay Area. Neale, after all, has been an invigorating presence here from even further back, in his time with the San Francisco Symphony.

Fortunately, he has two more seasons at San Rafael, and the current season kicks off with a guest appearance by one of his longtime collaborators, pianist Orli Shaham. She will be the soloist in Robert Schumann’s Piano Concerto, in a program that also includes Jessie Montgomery’s wonderfully evocative “Banner” and Johannes Brahms’ First Symphony.

Marin Symphony: 8 p.m., Saturday, November 6; 3 p.m. Sunday, November 7. $ 20- $ 87. Commemorative Auditorium of the Veterans of the Marin Center, 10 avenue of flags, San Rafael. 415-479-8100. www.marinsymphony.org

– Joshua Kosman

Devin Cunningham plays Courtney / Anthony in “At the Wake of a Dead Drag Queen” presented by Theater Rhinoceros at Spark Arts. Photo: Vince Thomas / Rhinoceros Theater

In ‘At the Wake of a Dead Drag Queen’, Theater Rhinoceros dances between comedy and tragedy

Don’t be fooled by the title “In the wake of a Dead Drag Queen”, the main character warns the audience in his first line. “If you’re looking for a tragic story about death, decay, and disease, go rent ‘Philadelphia’ because this story, Miss Thang, is about drugs, sex, and R&B.”

Yet the lyricism of Terry Guest’s screenplay, now in an in-person Theater Rhinoceros production directed by Tanika Baptiste, blurs the line between comedy and tragedy by dancing all over the place. Every scandalous and tumultuous line is shaded by something terrible. “Family!?” Courtney (Devin Cunningham) says when Vickie (Mario Mazzetti) innocently asks questions about hers. “You don’t have to become morbid.”

Guest, a Chicago theater artist, makes poetry that you can touch and taste. “I’m looking for a conversation about angel food cakes, baby.” Light. Air. Empty. “” When he looks at me, God himself could not convince me that I had not just been kissed. “

“In the wake of a dead Drag Queen”: until November 14th. $ 25. Spark Arts, 4229 18th St., SF http://therhino.org

– Lily Janiak

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Jennifer R. Strohm

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