7 Bay Area arts and entertainment events to check out this week, October 18-24

Taylor Iman Jones plays Mopsa in the new musical “Head Over Heels”, featuring iconic songs from all-girl group The Go Go’s. The musical is scheduled to premiere pre-broadway on April 10 at the Curran Theater in San Francisco, Calif., As seen on Wednesday. March 28, 2018. Photo: Michael Macor / The Chronicle

The guide to chronicling notable arts and entertainment events in the Bay Area.

Taylor Iman Jones performs in Napa on his day off from ‘Hamilton’

Longtime local theater fans may be familiar with Bay Area native Taylor Iman Jones from performances with the American Conservatory Theater, Ray of Light Theater, San Francisco Playhouse, and Berkeley Playhouse. Even Johnny-come-latelies may still have caught her playing the part of Mopsa in “Head Over Heels” at the Curran or, more recently, as Peggy Schuyler and Maria Reynolds in the Los Angeles series of “Hamilton”.

On her weekly night off from this latest ongoing project, she heads to Napa County to be a part of Broadway and Vine, a new outdoor concert series from Napa resident and Tony-nominated producer Jacob Langfelder. .

Patrons can pair local wines and a three-course meal with the show, or they can just enjoy Jones’ raucous whisper, full-throttle belt, uninhibited emotion, and warm, heartfelt stage presence, all of it. outdoors under the setting sun.

Broadway and Vine presents Taylor Iman Jones: Doors 5:30 pm; concert 6:30 p.m. on Monday, October 18. $ 100 to $ 1,000. Tre Posti, 641 Main Street, Saint Helena. Proof of vaccination required. www.broadwayandvine.org

– Lily Janiak

Alex Carlin and a friend have a great time in Russia in the new documentary “Alex in Russialand”. Photo: Alex Carlin

“Alex in Russialand” tells the story of a rock musician from the Bay Area in Russia

Alex Carlin is a rock musician from a Bay Area family known for his contributions to the theatrical arts – his mother, Joy Carlin, and sister, Nancy Carlin, are both highly respected stage actresses. But Alex Carlin’s career is based in Russia, where he leads the Alex Carlin Band, made up of himself and Russian musicians.

Carlin calls Russia “the wild and wild east” and “the new free world”.

The documentary, “Alex in Russialand”, tells the story of Carlin’s active Russian career, in which he gives an average of more than 100 concerts a year. It’s a showcase for Carlin’s music and exuberant personality, and a testament to the individual diplomacy that a single individual of goodwill can accomplish.

After the 40-minute documentary, which Carlin directed himself, Carlin plans to play a set of music from the film.

“Alex in Russialand”: 7:00 p.m. Monday, October 18. $ 8 to $ 13. The Roxie Theater, 3117 16th St., SF www.roxie.com

– Mick LaSalle

“Lyra” by the Living Earth Show and Post: Ballet Photo: Tricia Cronin

The SF Performances Pivot Festival returns in a burst of innovation

Each year (pandemics permitting), San Francisco Performances brings together a quick and deliciously invigorating assemblage of new works and presents them under the rubric of the “Pivot Festival”. You never quite know what that will amount to, but it’s a safe bet that the results will be provocative.

This year’s festival, dubbed “Ghost Stories,” promises a particularly zesty lineup of music and dance over five consecutive nights.

Singer and songwriter Theo Bleckmann is expected to return with a new creation called “Elegy”, and the Brooklyn Rider string quartet will be joined by tenor Nicholas Phan to music by Nico Muhly. Violinist Jennifer Koh and pianist-composer Missy Mazzoli team up for a program dedicated to the music of Mazzoli, and two performances of “Lyra” by the Living Earth Show and Post: Ballet complete the dynamic of the work.

Pivot Festival: 7:30 p.m. Wednesday to Saturday, October 20 to 23; 5 p.m. Sunday 24 October. $ 45- $ 65. Herbst Theater and Taube Atrium Theater, 401 Van Ness Ave. SF 415-392-2545. www.sfperformances.org

– Joshua Kosman

The Del Sol String Quartet: (left to right, violinist Benjamin Kreith, cellist Kathryn Bates, violist Charlton Lee, violinist Sam Weiser) Photo: Lenny Gonzalez

New oratorio celebrates generations of Chinese immigrants

The government station on Angel Island ceased to be a stopover for immigrants in 1940, but it remains a physical monument to a historical era in which more than a million people – most of them from China – have passed. or tried to cross, on their way to the United States.

Today, a new oratorio by Chinese-born composer Huang Ruo celebrates the memories of these migrants, many of whom languished for years in the train station under brutal conditions.

“Angel Island” will be presented as a world premiere in a series of three performances by the Quatuor Del Sol and the contemporary music choir Volti. The first is at the Presidio Theater, but the last two will be held, rightly so, on Angel Island itself.

“Island of Angels”: Del Sol Quartet and Volti. $ 20 to $ 100. 8 p.m. Friday, October 22. Presidio Theater, 99 Moraga Ave., SF 11 a.m. and 2 p.m., Saturday, October 23. Angel Island. www.delsolquartet.com

– Joshua Kosman

One-name Vaho (left), Aaron Royce Jones and Sophie Becker in “This Is Our Youth” presented by Lose Face Productions in association with the Manilatown Heritage Fund. Photo: Ella Sogomonian / Lose Face Productions in association with the Manilatown Heritage Fund

Compassionate Look at Helpless Male Losers in Lose Face Productions’ “This Is Our Youth”

In “This Is Our Youth,” playwright Kenneth Lonergan demonstrates an exquisite understanding of the character of a helpless loser young man. “Listen,” Dennis tells Warren at the start of the 1996 play. “You’re an idiot. You never have any money. No one can bear to have you around. And you can’t get laid.

The couple are truly a walking disaster, physically unable to shut up or break things up. Yet Lonergan also has a deep compassion for them – Warren is more thoughtful than he suggests, and Dennis realizes that his effortless, Big Man On Campus days are numbered. Then there’s Jessica, who genuinely believes that “what you look like now has nothing to do with what you’re going to look like”. In a decade, “Everything you think will be different, and the way you act, and all of your most passionate beliefs will all be completely different, and that’s really depressing.”

The show is a treasure trove of character studies, and now the fledgling company Lose Face Productions is presenting it at the I-Hotel Manilatown Center. The named Vaho directs and stars alongside Aaron Royce Jones and Sophie Becker.

“This Is Our Youth”: 7:00 p.m. on Saturday 23 October; 5 p.m. Sunday 24 October. Until October 31. $ 40. I-Hotel Manilatown Center, 868 Kearny St., SF https://loseface.brownpapertickets.com

– Lily Janiak

Jeanne Moreau and Jean Gabin in ‘Touchez Pas Au Grisbi’ (1954).

Jean Gabin to headline a great evening of French film noir at the Roxie

For most of the past decade, Don Malcolm has presented Black French programs at the Roxie Theater. These are covers of national significance because they have changed the way people view the creation and development of the genre.

On Sunday, October 24, Malcolm and the Roxies are planning to present a double feature film by Jean Gabin. The first film is a great 1954 French film noir entitled “Touchez Pas Au Grisbi”, about an old gangster, on the verge of retirement, forced into the fight of his life. What’s fascinating about this Jacques Becker film is that it focuses on the day-to-day details, like brushing your teeth and preparing an evening snack, rather than the elements one expects from it. ‘a gangster movie. It is on the bill of a rarely seen film by Gabin-Françoise Arnoul, “People of No Importance” (1956).

Earlier today, from 2 p.m., La Roxie presented a double feature film with Jean-Paul Belmondo, “Web of Passion” (1959) and “The Tricheurs” (1958). If you want to see all four films, admission is $ 20.

“Don’t touch the grisbi.” 6:45 p.m., Sunday, October 24. $ 14. At the Roxie Theater, 3117 16th St., SF (415) 863-1087. www.roxie.com

– Mick LaSalle

Artist Ashley Longshore’s show “The Prodigal Fun” at Saint Joseph’s Arts Society through October 29th. Photo: Drew Altizer / Drew Altizer Photography / Photo – Drew Altizer

Ashley Longshore Saint Joseph’s Arts Society “The Prodigal Fun” glitter bombs

Pop artist Ashley Longshore loves the color, sparkle and twist of familiar images into figures of irreverence. Now Longshore arrives at Saint Joseph’s Arts Society with an exuberant and wacky installation that turns the historic 1913 Revival-style church into a carnival, celebrating everything from feminist icons to its love of dirty words.

Almost all of the pieces were imbued with the bold Longshore aesthetic (the artist sent over 70 pieces for exhibition) extending from the vestibule to the bell tower.

“Fear makes me get out of bed and paint like a wild woman every morning,” Longshore said of her prolific production at the opening night celebration. “I was raised to be a little trophy wife in the South and have always felt weird and different. A big part of my job is exploring what I really want my life to be and how I react to the culture. pop.

The two-year exhibition ranges from prints and paintings to an exclusive furniture collaboration with Saint Joseph’s founder and interior designer Ken Fulk. The antique chairs purchased by Fulk have been restored and salvaged with Fulk Inc Textiles: On the back of each is a silkscreen of a portrait of Longshore, including depictions of the late Supreme Court Justice Ruth Bader Ginsburg and by artist Yayoi Kusama. Don’t miss the two self-portraits in the Tower Room, perhaps the most vulnerable and surprising works in the exhibition.

“Ashley Longshore: The Prodigal Fun”: 10 am to 6 pm Monday to Friday. Until October 29. Free. Saint Joseph Arts Society, 1401 Howard St., SF 415-626-1089. saintjosephsartssociety.com

– Tony Bravo

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Jennifer R. Strohm

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